Music forms
The form - not only constructive scheme. The form is checked by ear, sometimes several generations, that is definitely found social (aka - how and where it could be crystallized) - the organization (regular timing) of musical material, in other words, the organization of musical movement, for a fixed musical material at all. Of course, that the principles of this organization - the principles are not an individual consciousness, and social principles. They grow out of practical needs, the environment they absorb, selects the most appropriate.
Socially determined phenomenon
Musical form as a socially determined phenomenon is known primarily as a form (type, method and means) social music discovery in the process of intoning: whether it be crystallized scheme sonata allegro, cadences or system, or a formula frets and scales - for all this lies the long process of groping , and the pursuit of the best adaptations of the most "easy to understand" expression, ie, the kind of intonation, which are assimilated to the environment through the forms of music making possible more efficient. In fact, the rejection of any of any new medium for her music, but this music, as is usually later, was quite modern for the era, to treat her with suspicion - a great role played by the unusual form of expression of this music. People are well aware of his age in many areas of its manifestations, may not feel that in the modern era to her music as the musicians who create works in tune with their time, can not appreciate them the most important contemporary events (Wise was unable to comprehend the significance of the Paris Commune, and yet his "Carmen" was reflected protest [against] the same system, which acted against the municipality, - a protest in the sense of dramatic "change" habits of the Paris Opera House to a new way of life, a protest - albeit weak in comparison with the political speech of the Communards, - but the brightest in their field, and born in the atmosphere, which was born and municipality). When I'm here talking about unusual forms of expression, I know not the manner of translating the music genre and that is the nature of performance, and the mean first of all forms of intonation, which manifests itself in music, and above all a system of inflections inherent in a particular this period (from scales to harmonic functions, from primitive to complex polyphony rechitatsii, from simple tunes to symphonic instrumental variations).